Link with
Euro-Mediterranean
What is this country we that are sick of, that makes use of the open sea and of the quartering wind? Childhood? Theatre? Poetry?
Invitation to travel… … Plural… inter… trans…
To cross in every directions, transversely, happily, fruitfully and to accept being crossed!
Taste, posture, training, gesture, choice, determination, aesthetics. However, the pluridisciplinarity, the interdisciplinarity, and the transversality are not piles of knowledge, practical experience and well-being knowledge; we are talking about cross-border synergies that create new disciplines able to open up new vistas and new horizons.
My taste for the cross-border is certainly marked by the stamp of the travel, and the jump, just like when I flied at the air base of Pau with the pilot René Janis, who told me the liberation of Paris. From there, we see borders otherwise.
When you emigrate, one way or another, the place that counts the most is the travel, more than the place you come from, more than the place you go to. And it is the same when you emigrate from your initial knowledge or your initial training. The thing that is important is this movement and in the same time this peculiar obligation to “come and go” that makes you aware of the plurality and the diversity and thus of the fringes. Immobility is then impossible. It is my key. My key of the fields, transmitted by my ancestors and my parents. My creativity is fed and schooled by this liberty.
Daughter of hybrid parents, art and crafts lovers, I always think in a hybrid way. It is a real mode, neither minor nor major, a place between two doors, which is not a dilution, not a mildness, but a particularly incandescent mode, ambiguous, lively, vivacious, that keeps me awake, aware, like a witness, and a witness of witness.
At theatre, I find this immediate embarkation into the ambiguousness; it is something I find philosophical and virtuous.
I do not practice theatre in order to exhibit things, but on the contrary to doubt them, destroy them, by following the peculiar course of their sensitive travel.
I am fond of important cultural events that send into raptures. One event that seduces me: FTA Festival TransAmériques or Festival of Avignon with its associated artists and theJean Vilar house. . A cultural forum: Montpellier 2009. For me, they represent examples of great carriers, like big planes.
Message to the passengers
The THEATRE, The STAGE, offer this travel through emptiness and fullness, give access to emptiness and fullness brightly, amazingly, with humanity and through generations. I love going with the actor into this geometry of the emptiness and fullness and thus I conceive a THEATRE IN PRACTICE that makes one TRAVEL.
Within the framework of my professional activity, as as territorial executive in Beziers, , I carry an active and fruitful reflection through, in order to transmit my artistic and cultural convictions and to share my knowledge, to make travel.
After having expanded theatre in different neighborhoods of the city, in cultural or artistic places where I trained many professionals and amateurs, I am appointed to the district “La Devèse” since the start of the new school year 2009; for me, it represents a new “challenge for the quality of life and the social cohesion”. It is a room that gives onto the outside. Just the theatre speech, its own language and its actors: dramatic arts. Putting dramatic arts in a problem area has a sense. New challenge, new travel.